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Bio

Declared a “bass ace” by Bass Player Magazine, acclaimed bassist, composer and producer Petros Klampanis grew up in Greece, surrounded by the confluence of Mediterranean

and Balkan folk music.

 

Now living between New York and Athens, Greece, he is curious in his approach, always seeking unique ways to integrate elements from multiple genres, ranging from classical music to pop. His varied musical life journey marries aggressive melodicism, beautiful intonation, and uniquely personal sound on all the projects

he leads or produces.

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Klampanis has collaborated with world-acclaimed artists such as Greg Osby, Jacques Morelenbaum, Oded Tzur, Arooj Aftab, Anoushka Shankar, Shai Maestro, Gilad Hekselman, Jean-Michel Pilc, Snarky Puppy, Kinan Azmeh, Dimitra Galani and Maria Farantouri, among many others. His extensive list of performance credits includes Carnegie Hall, Lincoln Center, The Blue Note, The Kennedy Center, the Museum of Modern Art (MoMA NYC), Barbican (London), Roskilde (Denmark), NOSPR (Poland), Glastonbury (UK), Rock in Rio (Lisbon), JazzAhead (Bremen), Jazzkaar (Tallinn), Athens Jazz Festival, XJazz Festival (Berlin), as well as Megaron Mousikis Athinon, Megaron Mousikis Thessalonikis, Onassis Foundation (NYC) and the Niarchos Foundation Cultural Center (Athens).

TORA COLLECTIVE

Following up his acclaimed recent outings Rooftop Stories and Irrationalities, bassist and composer Petros Klampanis creates one of his most inventive musical settings to date with Tora Collective, his sixth album as a leader. For Klampanis, who grew up in Athens, Greece surrounded by the confluence of Mediterranean and Balkan folk cultures, making music has always meant navigating cultural crossroads. With Tora Collective (“Tora”=“Now”) he puts traditional Greek music at the centre, even as he presents it from a bold new angle.

 

In addition to the two new originals “Disoriented” and “South By Southeast,” Klampanis and his compact hybrid jazz/Greek folk ensemble interpret popular Greek songs such as “Xehorismata,” “Sybethera,” “Hariklaki” and “Menexedes ke Zoumboulia.” These songs, Klampanis asserts, are “not just part of Greek cultural heritage or a fragment of the past, but also as part of the future: they live into the present, breathe into the ‘here and now,’ while constantly evolving in a dynamic state and in dialogue with contemporary music.” 

 

To that end, Tora Collective draws on regional characteristics, as Klampanis explains: “Every region has a strong identity. In Epirus the clarinet is more prominent and the music has this slow, groovy, meditative vibe. The islands are lighter sounding, Macedonia is groovier, faster tempos and energetic dances. Music from Asia Minor or Istanbul is more sophisticated. Greeks often refer to Istanbul as ‘Poli,’ from Constantinopoli, so the songs from there are called ‘Politika.’”

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Contact

Management/Bookings:

Boulev'art

Germany: Listen Loud

Spain: Selin Celik Production

Greece: Menta Art Events

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Publishing:

Universal Music Group

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Petros proudly endorses Pirastro strings.

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